How to Draw Plan Keith R West 1983
Keith Haring was born on May 4, 1958 in Reading, Pennsylvania, and was raised in nearby Kutztown, Pennsylvania. He adult a love for drawing at a very early age, learning bones cartooning skills from his male parent and from the popular civilization around him, such as Dr. Seuss and Walt Disney.
Upon graduation from loftier schoolhouse in 1976, Haring enrolled in the Ivy School of Professional Art in Pittsburgh, a commercial arts school. He soon realized that he had piddling interest in becoming a commercial graphic creative person and, after ii semesters, dropped out. While in Pittsburgh, Haring continued to study and work on his own and in 1978 had a solo exhibition of his piece of work at the Pittsburgh Craft Eye.
Later that aforementioned year, Haring moved to New York Metropolis and enrolled in the School of Visual Arts (SVA). In New York, Haring institute a thriving alternative art community that was developing exterior the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls. Here he became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat, as well as the musicians, functioning artists and graffiti writers that comprised the burgeoning fine art customs. Haring was swept upwards in the free energy and spirit of this scene and began to organize and participate in exhibitions and performances at Order 57 and other culling venues.
In addition to being impressed by the innovation and free energy of his contemporaries, Haring was also inspired past the work of Jean Dubuffet, Pierre Alechinsky, William Burroughs, Brion Gysin and Robert Henri's manifesto The Fine art Spirit, which asserted the fundamental independence of the artist. With these influences Haring was able to push his ain youthful impulses toward a singular kind of graphic expression based on the primacy of the line. Likewise drawn to the public and participatory nature of Christo's piece of work, in particular Running Fence, and by Andy Warhol's unique fusion of fine art and life, Haring was determined to devote his career to creating a truly public art.
As a educatee at SVA, Haring experimented with functioning, video, installation and collage, while e'er maintaining a stiff delivery to drawing. In 1980, Haring constitute a highly constructive medium that immune him to communicate with the wider audience he desired, when he noticed the unused advertizing panels covered with matte black paper in a subway station. He began to create drawings in white chalk upon these blank newspaper panels throughout the subway system. Between 1980 and 1985, Haring produced hundreds of these public drawings in rapid rhythmic lines, sometimes creating equally many as forty "subway drawings" in ane day. This seamless period of images became familiar to New York commuters, who often would stop to appoint the artist when they encountered him at piece of work. The subway became, as Haring said, a "laboratory" for working out his ideas and experimenting with his simple lines.
Between 1980 and 1989, Haring achieved international recognition and participated in numerous group and solo exhibitions. His outset solo exhibition in New York.was held at the Westbeth Painters Space in 1981. In 1982, he fabricated his Soho gallery debut with an immensely popular and highly acclaimed one-human exhibition at the Tony Shafrazi Gallery. During this period, he also participated in renowned international survey exhibitions such as Documenta 7 in Kassel; the São Paulo Biennial; and the Whitney Biennial. Haring completed numerous public projects in the get-go half of the 80'due south as well, ranging from an animation for the Spectacolor billboard in Times Square, designing sets and backdrops for theaters and clubs, developing scout designs for Swatch and an ad campaign for Absolut vodka; and creating murals worldwide.
In April 1986, Haring opened the Pop Store, a retail store in Soho selling T-shirts, toys, posters, buttons and magnets bearing his images. Haring considered the shop to be an extension of his work and painted the entire interior of the shop in an abstract blackness on white mural, creating a striking and unique retail environment. The store was intended to allow people greater admission to his piece of work, which was now readily available on products at a low cost. The store received criticism from many in the art earth, however Haring remained committed to his desire to brand his artwork available to as wide an audience as possible, and received potent back up for his project from friends, fans and mentors including Andy Warhol.
Throughout his career, Haring devoted much of his time to public works, which frequently carried social messages. He produced more than fifty public artworks betwixt 1982 and 1989, in dozens of cities around the world, many of which were created for charities, hospitals, children's day intendance centers and orphanages. The now famous Crack is Wack mural of 1986 has get a landmark along New York's FDR Drive. Other projects include; a landscape created for the 100th anniversary of the Statue of Liberty in 1986, on which Haring worked with 900 children; a mural on the exterior of Necker Children's Infirmary in Paris, France in 1987; and a landscape painted on the western side of the Berlin Wall three years before its fall. Haring likewise held drawing workshops for children in schools and museums in New York, Amsterdam, London, Tokyo and Bordeaux, and produced imagery for many literacy programs and other public service campaigns.
Haring was diagnosed with AIDS in 1988. In 1989, he established the Keith Haring Foundation, its mandate being to provide funding and imagery to AIDS organizations and children'south programs, and to aggrandize the audience for Haring's work through exhibitions, publications and the licensing of his images. Haring enlisted his imagery during the last years of his life to speak nearly his own illness and generate activism and sensation nearly AIDS.
During a cursory but intense career that spanned the 1980s, Haring's work was featured in over 100 solo and group exhibitions. In 1986 alone, he was the subject of more than than xl newspaper and mag articles. He was highly sought afterward to participate in collaborative projects ,and worked with artists and performers every bit diverse as Madonna, Grace Jones, Bill T. Jones, William Burroughs, Timothy Leary, Jenny Holzer, Yoko Ono and Andy Warhol. By expressing universal concepts of birth, death, love, sexual practice and war, using a primacy of line and directness of message, Haring was able to attract a wide audience and assure the accessibility and staying power of his imagery, which has go a universally recognized visual language of the 20th century.
Keith Haring died of AIDS related complications at the age of 31 on February 16, 1990. A memorial service was held on May 4, 1990 at the Cathedral of St. John the Divine in New York City, with over 1,000 people in attendance.
Since his decease, Haring has been the discipline of several international retrospectives. The work of Keith Haring can exist seen today in the exhibitions and collections of major museums around the earth.
Source: https://www.haring.com/%21/about-haring/bio
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